Page 494 - Amechanon_vol1_2016-18

Amechanon, Vol. I / 2016-2018, ISSN: 2459-2846

You can vary always. Always, but you can maintain the structure of the discourse. You need

a really essential syntax, because it is a discourse and when you have an experience, you
have a discourse. You cannot have an experience without a discourse. You have a behavior
without a discourse not an experience. So you need sound, light...

So is the only thing that remain somehow stable but not stable at the same time but
something that it is there it's not completely lost.

Yes. In that way you completely escape the concept of mistake.
Of course, yes.

So you never had mistake that can be useful in order to learn. No. Mistake doesn't exist.

Yes. You have opened it.

You have new opportunity to change …. in Italian we have two words, «errore e sbaglio».

Is there a difference between that?

A little bit, but it is etymology that is interesting because «errore» has to do with a trip,

«errare», it means to be a pellegrine. So «errore» means to encounter some obstacles in

your way - in order to do «error» you have to be an «errant». So you have to inquire, you
have to looking for something; you have to be in a trip. But «sbaglio» is something more
close to moral: you know the rule, you broke the rule. It's two different things. I have learnt

I have sbagliato, means, I know but I do the wrong thing.

Whereas the other is you don't know and you just inquire.

But you can use the word interchanged but the meaning is different in a sense that, if you

don't make nothing you cannot do mistake.

Well, you do nothing you are the best, because you don't make any mistakes. Whereas

when you do a lot of things you make a lot of mistakes.

Yes … So if you improvise a lot.. it' s not a mistake, is something that you have because you
are an errant, you are doing a trip, you are a traveler. It’s something that has to do with

travelling and error… it means find an obstacle, something that could be problematic in a

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